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Impaciência do Coração
Impaciência do Coração: Comportamento Humano Desviante e Justiça - Neste programa, Gabriela Moita conversa com o psicólogo Luís Fernandes.
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Objectos transicionais e música. Removing the Suzuki tapes. When practicing becomes a narrative.
Os objectos transicionais e a aprendizagem musical.
Da importância da separação (insegurança) no processo da criatividade e do impulso para explorar territórios desconhecidos (D. W. Winnicott), tendo sempre, no horizonte, a certeza de que é sempre possível atingir uma perfeição. Ao percorrer esse, árduo, caminho desenvolve-se a expressão.
"Musically we need simply observe that believing in correctness in technique breeds expression. In music, this passage occurs when standards modulate from physical events like playing with a good tone to more aesthetic measures of, for instance, a well-shaped phrase. Of course, spontaneous discoveries and happy accident inform what a musical piece should sound like. Still the composer and the performer must have a criterion to make sense of happy accidents, to select some as happier than others. In developing technique, we resolve transitional objects into definitions, and we make decisions based on such definitions. "
Richard Sennett in, The Craftsman [pg. 159]
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Of the value of things
In the meantime silver and gold, the raw materials of money, get no more respect from anyone than their intrinsic value deserves — which is obviously far less than that of iron. Without iron human life is simply impossible, just as it is without fire or water — but we could easily do without silver and gold, if it weren't for the idiotic concept of scarcity-value. And yet kind Mother Nature has deliberately placed all her greatest blessings, like earth, air, and water, right under our noses, and tucked away out of sight the things that are no use to us.
Thomas More, in Utopia [pg 70]
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Pérolas a porcos...
"The craftsman is a more inclusive category than the artisan; he or she represents on each of us the desire to do something well, concretely, for its own sake. [...] but the reality on the ground is that people who aspire to be good craftsmen are depressed, ignored, or misunderstood by social institutions. [...] From the origins of classical civilization, craftsmen have suffered mistreatment. What has kept them going humanly is belief in their work and their involvement with its materials."
Richard Sennett in, The Craftsman [pag 144]
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Always fail
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